The first piece of artwork I remember creating was when I was four years old in my preschool in England.
It was originally supposed to be a portrait of my mother. I remember it actually being a stick figure painting of her, though I must have painstakingly spent at least half an hour on it. But at the last minute, I messed up a part of her face. I didn't obsess over the messed up detail and try to fix it, nor did I accept it for what it was and carry on painting. Being the impulsive child that I was, I instead chose to just splash paint all over the paper. Reds, greens, and yellows all swirled together... It wasn't out of frustration-- the painting just hadn't turned out the way I had intended it to be, so why bother about it anymore? As soon as I had successfully covered any evidence that my mother had once been the subject of the painting, my mother entered the preschool. My paintbrush frozen in midair, I looked at her and she came over to see what I had created. To my utter surprise, she ended up adoring the no-effort-at-all-whatsoever violent mess I had improvised. She insisted on taking it home. I didn't say anything.
Painting over the messed up painting of my mother was the equivalent of erasing. I probably would have crumpled it up if my mother hadn't arrived and seen it when she did. I never cared for this painting, so I was fascinated by how much she liked it. "The colors, Natalie," she told me, as I looked up at her wide-eyed. "I love the colors. It's like autumn."
At home, she gave me a black marker so I could sign my name at the bottom of the painting. I was still entirely new to writing, so I ended up taking at least fifteen minutes to do this. My head studiously bent over the paper, I began the arduous task of writing my name.
N... A... T... (My mother looks over at my progress, smiles, tousles my head of curls, and then turns back to whatever she was doing)
... A... L... I... E.Pleased that I'd finally finished it, I announced that I was done. But suddenly all I could hear was my mother shouting at me.
Why DID you do that?! You've ruined it! My heart jumped, and I looked down at the painting. The E. I had accidentally written the E in my name backwards. (The horror!) I stared up at her defiantly, seeing the frustration shadow her face. My lower lip starts trembling, and I bite down on my tongue, my stubborn eyes suddenly clouding over. I forget what happened next.
A couple of months ago (i.e. 15 years later), I glanced at this painting of mine, lying framed on the mantle of our fireplace. I looked over at my mother and told her for the first time, "you know, that was supposed to be you." Her confused expression prompted a conversation about the painting. After reminiscing and laughing about my crooked handwriting, she hesitated and then startled me with an apology for the way she had reacted that day. "That was wrong of me-- I shouldn't have done that." I had never expected nor wanted an apology from her for something as trivial as this. But I kept thinking about it afterwards. Doesn't it kinda give you hope for all the other more significant apologies that you're still waiting for from other people? It's the small things that revitalize the promise of what is still possible...the small things that keep you waiting tirelessly for that one sincere
sorry that you so deserve.
Now when I look at that painting, I realize I like it not because of the colors, or because of what it was originally meant to be before I covered it with paint, or because my mother loves it, or because it's the first piece of art I have a memory of creating. I like it because of that backwards E.
It's often the imperfections that endear us to something. Perfection is an achievement, but outside of that, it is mostly meaningless. Imperfection is frequently a memory-- bittersweet, but familiar and all the more dear and human.
And very often, it takes a long time for someone to realize that they've made a mistake. Sometimes it takes years to receive an apology from someone who has hurt you.